12/30/2023 0 Comments Nocturnal animals meaning tom ford![]() I had a very strong idea of what I wanted it to be. TF: Let’s talk about the story first because the visuals are there to serve the story right? That’s the main point for making any visual choice. It resonates.ĪD: What conversations do you have with production designer because those visuals we see are stunning? He is not that guy, but he has you believing he’s that guy.ĪD: I was scared of his character. That’s one of the themes of the film.ĪD: And what a great theme it is. Then we cut to Susan (Amy Adams) who’s sitting there trying so hard to be exactly what she should be, and she’s unhappy. When I shot them I fell in with them, and when I edited them. You have these women who have literally and absolutely let go of everything our culture says they should be. That’s also a very purposeful opening because it’s a microcosm for one of the themes of the film. I wanted it to be that bit of a rollercoaster. I don’t believe you should know where you’re going in a film. ![]() Of course, I’ve been told I write very verbose long scenes, at least the actors have started to tell me this.ĪD: On the visual side I was drawn in and mesmerized with that scene.ĪD: My thought was, what am I getting into? Writing the screenplay, I tend to write in what those shots are going to be because it’s a visual medium, and really you should be able to have a silent movie and understand what’s happening. For me, as a filmmaker, I want to take the spirit of that and think of the best way to tell it visually which sometimes is the same, and sometimes is not the same. For the author who wrote it, it’s always going to be what it is, it’s a perfect thing and will always exist as a book. For me, they’re totally different things. TF: I changed a lot which is also what I did for A Single Man. Which is what I did.ĪD: When you’re adapting it, did you change a lot? I thought, “How am I going to turn this into a movie? I’m not sure but it speaks to me.” I was able to option it, and I learned a long time ago that if another major studio isn’t bidding against you and you can get something that you love, then get it, and figure out what you’re going to do with it later. TF: A friend of mine who lives in the U.K read this book, Tony and Susan. Seven years until you’re seeing it, but it was three or four until I found it. I opened 100 stores, I had a child, and it took me a while to find the right project, and I’ve been working on this for the last three. I certainly didn’t intend for it to be seven years. I recently sat down with director Tom Ford in Beverly Hills to talk about making Nocturnal Animals.Īwards Daily: Seven years, Tom! I missed you. It’s a film that will have you thinking long after the credits roll. The direction and visuals are rich and luxurious and haunting at the same time. Watch out for Aaron Taylor-Johnson’s turn as the baddie. It’s a gritty and wonderful thriller with such fine detail, with superb performances all round. In the story, Edward and his family are taking a road trip that goes horribly wrong when they’re accosted by a gang. Susan begins to read and discovers that the main characters sound uncomfortably familiar. One day, she receives a manuscript from her ex-husband Edward (Gyllenhaal), and sees he’s dedicated the book to her. All is not as perfect as it seems in her world. Ford’s shoots her in big spaces from afar, showing her isolation. The project came to life as Nocturnal Animals, a psychological thriller about loss, revenge, and isolation starring Amy Adams and Jake Gyllenhaal. In the midst of all that, he read Austin Wright’s novel-within-a-novel Tony and Susan after someone recommended it to him, and decided that this would be his next project. ![]() ![]() Since then America’s most recognized designer launched his own fashion label, opened stores and became a father. It’s been seven years since Tom Ford made his directorial debut with A Single Man.
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